Are you as sick of Twilight as I am?
Good. Then maybe we can get back to some real vampire stories, like the sort Poppy Z Br–
*kaTHUNK* … *TWANG!*
Sorry, that’s me hurting myself over beginning that suggestion. Let’s start over.
Are you as sick of vampires sparkling in the daylight as I am? Thanks to a half ok written set of books, and a really shitty movie (soon to have a sequel), Vampirism has basically been turned from the dark and brooding mystery it was when I was a lame teenage wannabe vampire goth thanks to Anne Rice, to basically being the next misunderstood minority now that it’s ok to be gay… And like movies about gay guys, they’re thin, pouty, and you really really want to sodomize them.

Notice the lack of sparkles?
Well, all is not lost. Thank the powers that be that the Europeans still now how to make good movies based of decently well written books, instead of turning them into steaming piles of crap.
Let The Right One In is one such book, and it’s been made into a remarkably good film.
The gist is that Oskar, a 12 year old ideal of Aryan perfection notices a new girl, Eli, move into his apartment building… And that he only ever sees her at night… and that she doesn’t need to wear heavy padded clothing in the middle of the night in the middle of winter in the middle of Sweden. Being the outcast at school that he is, he quickly befriends her
And then people in the town start to die mysteriously and they fall in love.
Where this deviates from most vampire films that don’t sparkle is that it is: a) a romantic drama; b) not about the vampire; and c) you’ll go to jail if you happen to have topless shots of the main characters on your computer, regardless of the fact that the film actually does do a couple nude scenes.
Now, I’m going to be honest and say I know dick about the Scandinavian film industry, but this really is a masterpiece.
The sets & costumes made it almost impossible to believe that this movie was not shot at some point in the 80s and simply digitally remastered. Terribly out of date clothes, tiny CRG TV sets, little government built apartments, awful haircuts all round. Simply impeccable set and costume design.
The score was very well rendered by one Johan Söderqvist (who I am now trying to find in the torrents). At all times it was appropriate to the scene and well blended instead of attempting to force the emotion of the moment on to you. So much so that you can’t even distinctly remember a catch. It’s just… pleasant.
The acting was rather impressive. In the film industry, you’re never meant to work with animals or children. Especially first timers. Yet Kåre Hedebrant and Lina Leandersson pull off some amazingly realistic performances. The awkwardness of a young child, and the even more awkwardness of a child that is now dead and cant’ even remember when it happened. The build the characters in a most believable way.
Honestly, my accolades shouldn’t be that surprising. The book and film have won over 50 awards combined, and not just crappy European ones. If you’re the sort of person that doesn’t really mind reading subtitles, this movie is well worth it.
Go see it before it finishes its runs at the art house cinemas.